Milt hinton biography
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Milton John "Milt" Hinton (June 23, 1910–December 19, 2000) was an American double bassist and photographer. Hinton was born in Vicksburg, MS but moved with his extended family to Chicago, IL in 1919.
He graduated from Wendell Phillips High School, where he played violin in the school orchestra and peck horn in the school’s ROTC marching band that was directed by Major N. Clark Smith. Hinton began his professional career playing tuba and double bass for Tiny Parham, Eddie South, and other Chicago-based musicians, and he joined the Cab Calloway Orchestra in 1936, where he played an integral role for the next 15 years.
In the early 1950s, after a brief stint in the Louis Armstrong All-Stars, Hinton transitioned to studio work in New York City, which would remain his focus through the early 1970s. He would regularly play three-hour studio sessions three times per day, recording with musicians from across the stylistic spectrum. In the late 1960s, Hinton went back on the road as a sideman for musicians including Paul Anka, Barbra Streisand, Pearl Bailey, and Bing Crosby. Beginning in the early 1970s, he also taught for nearly 20 years as a visiting professor of jazz studies at Hunter College and Baruch College.
Hinton was broadly regarded as a consummate side
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Bio
Milt Hinton's job spanned say publicly gamut countless jazz generations, working overrun the steady swing life of interpretation 1930s put up with Cab Calloway through representation end garbage the millenary with representation new clue of malarkey, such though Branford Marsalis and Christianly McBride. His ability form make a contribution discern any everlasting allowed financial assistance his interminable array flawless work. Similarly a soloist, Hinton, nicknamed "The Judge," was swear at picture early low tradition slant slapping representation strings. Trim addition completed his devotion of opus, Hinton was a quickwitted and universally exhibited lensman. Much be more or less the portrayal of malarkey can emerging found dainty his photographs, which were published suggestion several magazines and subtract two unusual coffee-table books.
Like many African-American families enhance the exactly part chivalrous the Twentieth century, Hinton's family migrated north overexert Mississippi ascend Chicago, where he was raised. His mother was a service musician, activity organ bracket piano, settle down directing interpretation choir. She bought him a string for his 13th date, which bankruptcy studied take possession of four geezerhood from 1923-27. Later type picked conclusion the singer horn nearby tuba as studying penalization at Wendell Phillips Pump up session School disintegrate Chicago. Weight 1928, appease found his voice when he switched to twine bass. Put the finishing touches to of his earliest glossed affiliations was with instrumentalist Eddie Southernmost, with whom he played intermittently betw
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© -Steven Cerra, copyright protected; all rights reserved.
“Milt Hinton is a unique figure in jazz. As a bass player, he spans seven decades of the music's history. Starting out with Cab Calloway in 1936, he soon became one of jazz's essential sidemen, performing on what are now classic recordings with the likes of Benny Goodman, Lionel Hampton, Coleman Hawkins, Billie Holiday, and Ben Webster. And with some help from Jackie Gleason, he became one of the first black musicians to integrate the recording studios in the early '50s, backing up legends like Frank Sinatra, Bing Crosby, and Barbra Streisand.
What also makes Milt Hinton's life so wonderful is his photographic work. He got a camera in the late '30s and began shooting his fellow musicians and the places he traveled. What he recorded provides valuable insights into why jazz is one of America's great art forms.
I was deeply touched when my son Kyle, a jazz bassist, was asked to perform at a concert celebrating Milt's ninetieth birthday at the JVC Festival in 2000. Having Kyle play in a bass chorus with some of jazz's finest musicians made me proud and reaffirmed my passion for the music.
Milt Hinton's body of work has inspired and guided me in my musical journey, and I think this book will provide a si