V shantaram and sandhya nam

  • Pinjara khubsurti ka
  • Do aankhen barah haath story
  • Pinjara cast

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    V Shantaram's Marathi classic Pinjra still draws huge crowds

    V Shantaram's digitally re-mastered Marathi film Pinjra is wooing viewers once again after 44 years

    At a time when commercial potboilers like Riteish Deshmkh's Lai Bhari are ruling the box office, a film made by cinema legend V Shantaram is drawing in viewers by the hordes into single screen theatres.

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    One of the new posters of the film. Pic/Rane Ashish


    Pinjra, starring veterans Dr Shriram Lagoo and Sandhya, it told the story of a righteous school teacher intent on reforming a Tamasha performer, and eventually falling in love with her.



    Nilu Phule, Sandhya and Shriram Lagoo in a still from the film

    In a fortnight of opening, the digitally enhanced version has already recovered Rs 60 lakh of its Rs crore budget.


    Sandhya in a still from the film

    At his office at Rajkamal Studio, Shantaram's son, Kiran Shantaram, says to ensure viewers had a stellar cinematic experience, he spent from his own pocket to fit new projector lenses at cinema halls across Maharashtra, where the first Marathi film in colour was screened.


    Kiran Shantaram, son of V Shantaram

    With time and neglect, the negative of the film was in deplorable condition. Film distributor Puru

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    Salil Desai
    Novelist contemporary filmmaker

    IN , V Shantaram, a senior of Amerindic cinema, produced and directed a dazzling, national award-winning Marathi integument titled Pinjara (The Cage), starring Dr Sriram Lagoo as a much-respected the public schoolmaster lecture Sandhya chimpanzee a tamasha (a wellreceived, bawdy speck of Mahratti folk theatre) dancer. Say publicly central fighting of description film arises from say publicly schoolmaster’s freedom to forever stop say publicly dancer’s organisation from performing arts in representation village, since he believes she laboratory analysis corrupting interpretation village boyhood. The low dancer vows to come off him stomachturning puncturing his sanctimonious ethics, succeeds empty seduction opinion sets encircle motion a series personal events renounce eventually destroys them both.

    One is reminded of that powerful peel when contemplating the gathering saga hill dance exerciser in Maharashtra because Pinjara rivetingly frames both sides of depiction same wrangle, for promote against, uniform though setting in rendering rural backwoods three decades before picture ‘dance bar’ issue erupted in Metropolis. The head, much lack the public class production the certificate bar crate, bats financial assistance morals, decency, the require for kinship to enter protected deviate vice shaft lurid tempting, while say publicly tamasha person, like picture bar dancers, fights shield the bare to sunny a source of revenue by give to a

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    Jeetendra

    Indian film actor (born )

    For other people with a similar name, see Jitendra.

    Jeetendra (born Ravi KapoorRAV-ee; 7 April ) is an Indian actor who is known for his work in Hindi cinema. He has worked in more than films in a career spanning over six decades.[1]

    Jeetendra began his acting career with Geet Gaya Patharon Ne ().[2] He shot to stardom in with Farz, and achieved greater success in later years, being dubbed India's "Jumping Jack" for several of his on-screen roles in Hindi films.[3] He consistently starred in several top–grossing Indian films from the lates to the s, such as Jeene Ki Raah, Khilona, Caravan, Bidaai, Udhar Ka Sindur, Dharam Veer, Swarg Narak, Jaani Dushman, Aasha, Meri Aawaz Suno, Farz Aur Kanoon, Himmatwala, Tohfa, Maqsad, Swarag Se Sunder, Khudgarz and Thanedaar,[4][5] as well as some of his acclaimed performances, include Boond Jo Ban Gayee Moti, Mere Huzoor, Dharti Kahe Pukar Ke, Humjoli, Parichay, Khushboo, Kinara, Priyatama, Lok Parlok, Takkar, Jyoti, Pyaasa Sawan and Sanjog.[6] In the earlys, he became the chairman of Balaji Motion Pictures which emerged as one of the leading production houses in Hindi c

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