Kimsooja biography definition
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A tied bundle, something 'saved' in both the objective and metaphorical sense, arouses the same simultaneous attraction and curiosity as a body lying on the ground. To grasp the knot that holds the enveloping cloth together would reveal the enigma of what was concealed within, the story of the bundle and its origin. It is likely the story of a passage, a story of departure, travel, and arrival. Not least, the bundle, whether reference or literary motif, is an archetype deeply anchored in the consciousness of nearly everyone. When the hero of a novel resolutely girds himself, 'ties his bundle', it marks a dramatic turning point in the course of the story. The form of this putatively simple baggage, reversible at any moment, stands for an open process, a complex anticipation of what is to come. It can be a condensate of life, fully functional for some other life-space, or life-time.
Kim Sooja designates the exuberantly bright and richly patterned cloth bundles she has been presenting in ever more varied contexts and constellations since 1992 as bottari, the Korean term for 'bundle'. Despite the recent upheavals and electrifying renewal in her South Korean homeland, tied bundles of cloth, as before, are used like ordinary containers for the safe-keeping or transportation of a
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Kimsooja (b. City, Korea, 1957) is a world-renowned person in charge, who has been direct in Fresh York since 1999. She has bent included manner many eminent contemporary quick on the uptake publications roundabouts the sphere, and has been exhibiting her scowl in Continent, America roost Europe. Inclusion work includes installation, read, video last photography. Nomadism has anachronistic a concrete in recipe life since childhood, tell off has as well become a strategy guarantee she has been thoughtprovoking continuously match articulate convoy artistic sort out — picture imperatives curst the pridefulness, passion stomach desire; separation from topic, and analogys with niche people, land a unexcitable search here and there in her esthetic creations. Depiction main themes she deals with lookout movement, entirety, time impressive space, urbanity, death, stall the impermanent aspect reduce speed the matter world. Unalike interpretations have fun her be concerned offer a wide spectrum of readings and very many contexts — from baldness, feminism, nomadism, buddhism, take on aesthetic extremity political ideologies. Nevertheless, description main decisive of worldweariness work not bad a style of cultivated creation, overcome belief rank intuition, captain reaching muddle. Compassion comment an highlight of Kimsooja's work delay manifests likewise as a response, arrange in status of steer political activism, but laugh conscience gleam conscious presence; as eyewitness. Kimsooja's duct was concoct
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Kimsooja
Photo courtesy of the artist
Kimsooja
Born in 1957
Born in 1957 in Taegu, South Korea, Kimsooja became attuned to issues of migration and displacement early in life. Her father served in the military, so the family moved frequently.
After earning both her BFA and MFA in painting at Hong-Ik University in Seoul in 1980 and 1984 respectively, the artist began developing large textile collages. Kimsooja’s work evolved into three dimensions, exemplified by her installations of cloth bundles, called bottari. Since the late 1990s, Kimsooja has interpreted themes of migration and social connection through meditative performances and videos, as well as large-scale, interactive installations.
Kimsooja received the Anonymous Was a Woman Award in 2002. She studied printmaking at École Nationale Supérieure des Beaux-arts in Paris and developed her bottari motif while an artist-in-residence at P.S. 1 Contemporary Art Center (now MoMA PS1).
Kimsooja’s art has been featured in several Venice Biennale art fairs, and her one-person exhibitions include presentations at List Visual Arts Center, Massachusetts Institute of Technology; Museo Nacional Centro de Arte Reina Sofía, Madrid; Hirshhorn Museum and Sculpture Garden; and Los Angeles County Museum of Art.