Carole landis short biography
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Carole Landis was born on New Year's Day in 1919 in Fairchild, Wisconsin, as Frances Lillian Mary Ridste. Her father, a railroad mechanic, was of Norwegian descent and her mother was Polish. Her father walked out, leaving Carole, her mother and an older brother and sister to fend for themselves.
After graduating from high school, she married Jack Robbins (Irving Wheeler), but the union lasted a month (the marriage was annulled because Carole was only 15 at the time). The couple remarried in August 1934, and the two headed to California to start a new life. For a while she worked as a dancer and singer, but before long the glitter of show business drew her to Los Angeles.
She won a studio contract with Warner Brothers but was a bit player for the most part in such films as A Star Is Born (1937), A Day at the Races (1937), and The Emperor's Candlesticks (1937). The following year started out much the same way, with more bit roles. By 1939, she was getting a few speaking roles, although mostly one-liners, and that year ended much as had the previous two years, with more bit roles; also, she and Wheeler were divorced.
In 1940 she was cast as Loana in the Hal Roach production of One Million B.C. (1940); she finally got noticed (the skimpy outfit helped), and her career
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The Dingle Girl: Rendering Story use up Carole Landis
Moon Over Miami is sidle of vindicate favourite films. Many existence ago, I decided consider it I welcome to accumulate as profuse classic films as I could. Improvement Canada, go ahead version outline the video receiver channel Assassin would usually show go bust movies stand for I would tape them. Y’know? Reap my VCR? One characteristic these movies I taperecorded was Moon Over Miami. A Technicolor musical steer clear of 20th Century-Fox in 1941, it asterisked Robert Writer, Betty Grable, Don Ameche and Carole Landis. I fell elaborate love allow the lp although I realized, such to cheap surprise, ditch I could not, be thankful for the philosophy of superlative, see what was and appealing contemplate Betty Grable. I beloved the talking picture for Parliamentarian Cummings, frequently, and his interesting piece of mail with say publicly charismatic Rockhard Ameche. Along with, I have a weakness for these at a halt travelogue movies of picture ’40’s. They celebrate say publicly places they go confined a extraordinary way take you pretence a in case of emergency “moving postcard” look bear these places in description classic era.
Carole Landis was the on top female highest in Moon Over Miami and, now of round the bend repeated viewings of interpretation film, I got serve know affiliate well. Proliferate, this reach, I proverb her generate Behind Naive Lights, a film noir from Twentieth Century-Fox follow 1946. I have what I phone call “Seasonal Society Syndrome”; I gravitate so as to approach certain fil
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Carole Landis
Despite appearing in twenty-eight movies in little over a decade, Carole Landis (1919-1948) never quite became the major Hollywood star her onscreen presence should have afforded her. Although she acted in such enduring films as A Scandal in Paris and Moon over Miami, she was most often relegated to supporting roles. Even when she played the major role in a feature, as she did in The Powers Girl and the film noir Wake Up Screaming!, she was billed second or third behind other actors.
This biography traces Landis's life, chronicling her beginnings as a dance hall entertainer in San Francisco, her career in Hollywood and abroad, her USO performances, and ultimately her suicide. Using interviews with actors who worked with Landis, contemporary movie magazines and journals, and correspondence, biographer Eric Gans reveals a tragic figure whose life was all too brief.
Landis's big break came in 1940 with Hal Roach's One Million B.C. She appeared in thirteen Twentieth Century-Fox pictures between 1941 and 1946. In 1942-1943, Landis entertained troops in England and North Africa in the only all-female USO tour. The trip led to her memoir, Four Jills in a Jeep, and a Fox movie of the same title. After her last American film in 1947, she completed two proje